fit/gunnar wendel ~ enter the fog on fxhe


aaron ‘fit’ sigel’s last release on fxhe was/is one of the year’s biggest underground hits.

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omar s ~ it can be done but only i can do it on fxhe

omar s - it can be done but only i can do it on teshno


few people give less of a fuck about what you think of them than omar s. who else could get away with such an insouciant title as ‘it can be done, but only i can do it’ – or with cover art that looks so obviously like it was done on pc paint – without coming over as anything other than an embarrassment? and who else could say ‘i don’t even know who ricardo willalobo is’ (as did smith at the time of his last big release, fabric 45) without you thinking of them as an insufferable try-hard? thing is though, there’s a brazenness to alex omar smith’s sounds which back up his bolshevism: they’re bristling with attitude and at the same time seem wholly unaware of what’s going on around them. i mean (last question) who else would dare run a frozen trance arpeggiator line right through one of their deep and soulful house 12s (and, importantly, make it work)?

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detroit house and techno ~ the interviews


something i wrote for idj mag in the uk – thought it worth sharing…

the intro…

the re-release of robert hood’s ‘minimal nation,’ and carl craig’s re-instatement as musical director of the demf, are momentous events, not far behind us. shadows of the first and second wave detroit forefathers, then, perennially loom large over the shoulders of any new motor city blood. whether that pressure is why techno headlines have come mainly from berlin in the last couple of years or not, is now irrelevant: detroit’s where it’s at in 2009.

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