luke hess ~ interview

i’m writing a piece for someone on detroit’s current crop of production talent [which explains the detroit centric questions] so have briefly email interviewed a few of the main proponents. only the odd quote will be used in the piece and i thought it a shame not share the answers in full, so here they come...

what does detroit mean to you?

detroit was founded on sweat, blood, and tears. it is a picture of the human spirit hard at work to realize a dream. the automobile industry, the civil rights movement, and the musical genius that is commonly associated with detroit all find their roots in a passion for something greater. where the spirit is there is liberty, and where there is liberty there is no limit to what can be achieved.

to what extent is the city a help or a hindrance to you as an artist?

there is a lot of inspiration that can be found in the architecture, in the history, in the people, and in the music of detroit. i feel the city is a big help to me when i write. at the same time there is a lot that the city doesn’t have to offer. there are no gleaming skylines here, no bustling nightlife, and no amazing scenery; there are dwindling business opportunities, and high crime-rates. however, in the midst of all this there is character. there is patience and hope and a genuineness that surrounds the endeavors of the people that live here. the product of this genuineness is purpose that is not based on hype, but based on soul. in relation to music it’s creating something with meaning and depth. underground music was made for experimentation, human expression, and to create something new; it was never about fitting in or following trends.

i’m profiling a new wave of detroit producers – why do you think so much good is coming from the city at the moment? how do you feel being heralded as part of that?

the definition of good music is different for everyone. i’m not sure all music coming out of detroit at the moment is good. trends, categories, waves, and hype aren’t interesting to me. what interests me is the meaning and the feeling in the music. what interests me is finding real music and real people in a world that is becoming increasingly shallow.

what drew you to electronic music?

i was invited by an older friend in high school to my first detroit warehouse party in 1995. there was a feeling that stayed with me from this and several subsequent events that i try to recreate in my dj sets and in my productions… along with the endless stream of other inspiration that are attacking me at any given moment.

where do your sounds come from?

my sounds come from a combination of analog machines and god’s creation.

what makes you, you?

a man’s heart plans his way, but the lord directs his steps.

to what extent does “light in the dark” represent you or detroit? is the title any reference to the city?

the album represents a moment in time. the theme of the record is the ultimate battle that every thinking person has to face at some point in his/her life. “what is my purpose here on earth?” the album is meant to shed some light on the subject. popular culture and science suggests that we are matter and that we have a consciousness, but when we die we rot and cease to exist. i believe there is much more to life and there is much more for us after this life. we should recognize that we were designed for a purpose and that our decisions can affect the world around us for good or for evil. more importantly if we live for god and recognize all that he has done for us we’ll live the life that we were meant for and we won’t just exist.

1 comment »

  1. asher says:

    Luke Hess is performing at the 10th annual Detroit Electronic Music Festival! Taking place on Memorial Day weekend, the Movement festival showcases an exciting mix of stellar performers spanning many styles of electronic music. This year's performers include Plastikman Live, Ricardo Villalobos, Booka Shade and more. For tickets and full lineup information, please visit http://www.movement.us/

rss feed for comments on this post. / trackBack uri

gwaaan, leave a comment, but remember; no-one likes a bully... »

interview ~ al tourettes


so i first got wind of al tourettes alongside appleblim on aus. together the pair mined a nice bass/house vein and that was that. then came al’s swan sketch ep on base logic

read the rest of interview ~ al tourettes (…)

achterbahn d’amour ~ frank music 03 on frank music


achterbahn d’amour (iron curtis and recent teshcaster, edit piafra remember) are coming along nicely. the follow up to their debut on acid test comes on berlin based frank music and is ingrained with all the same classic, timeless hallmarks as their last outing.

read the rest of achterbahn d’amour ~ frank (…)

teshcast p ~ samoyed


when i reviewed samoyed‘s spit ep on astro:dynamics for ra, the first draft got sent back from the editor with a note that it ‘needed more context.’ i was aware of that already, but was unsure how to best describe it.

read the rest of teshcast p ~ samoyed (…)

lilith ~ master codes on memoria


dutch label memoria has recently expanded itself into an agency and management group having continued to grow in recent times. for their next release they turn to label manager and house and techno producer lilith, whilst also recruiting andrew grant on remix duty.

read the rest of lilith ~ master codes (…)

interview ~ lawrence


once again last year, lawrence’s dial imprint owned. not only did it release the full length excellence of roman flugel’s fatty folders, but so too did it offer up more oddness from pigon aka efdemin, whilst sub-label laid (see what they did there?) released possibly the best deep house compilation not to make it onto my year end countdown.

read the rest of interview ~ lawrence (…)

mrsk ~ twirl on skudge present


following on from stephen brown’s opener, the skudge present label continues with an effort from swedish producer mrsk. you may recognise the name from (amongst other places) last year’s secretsundaze comp which featured his remix of anthony shakir’s “travellers”.

read the rest of mrsk ~ twirl on (…)

sei a ~ flux on turbo


i was gunna open this review with something like ‘sei a here continues his sonic re-invention blah blah’ but then i realised the now london based dude’s never really settled on any one style long enough for him to re-invent it.

read the rest of sei a ~ flux (…)

interview ~ hazylujah


too many ghosts is the first ever ep from italy’s hazylujah and it’s stunning. not only stunning for its maturity, completeness and originality, but also because it is the first thing ever committed to vinyl by the young talent (it’s on delsin, too, and we all know they don’t fuck about when it comes to taking people into their revered musical fam).

read the rest of interview ~ hazylujah (…)

teshcast o ~ edit piafra

if you know your shit then you will know acheterbahn d’amour: it is the german duo consisting of iron curtis and emerging producer edit piafra who have crafted plenty of raw, wired-up analogue house and acid for both frank music and absurd’s acid test series. the duo have another ep of similarly classic sounding, firm house that’s both deep and purposeful due out on frank soon, and so i jumped at the chance of hearing where edit’s tastes lie when it comes to other people’s music.

read the rest of teshcast o ~ edit (…)

the brick remixes ~ dj qu / kassem mosse on all inn records


romanian label all inn recently took the decision to “go boutique” by becoming a vinyl only label that presses but a few hundred copies of each release. truth is, this one will likely sell out before it’s even on sale given the names involved, but those who do buy on sight rather than sound will not be disappointed.

read the rest of the brick remixes ~ (…)

nina kraviz to release debut album


matt ‘radio slave’ edwards has announced he’s to release nina kraviz’s eponymously entitled debut lp on his own rekids imprint on 27th february 2012. i’m lucky enough to have heard it already, and can tell you it’s a thing of beauty…

read the rest of nina kraviz to release (…)

albums of the year ~ 2011

ok, here comes a list of my thirty favourite long players (including one re-issue and following my top 10 compilations) of 2011. like last year, i’m not that sure of the order beyond the first few, but these are the records which i’m still listening to, still enjoying and – in many cases – still astounded by. the only other thing to note is the lack of many bass/dubstep albums. efforts from kuedo, sepulcre and machine drum will all top many polls elsewhere on the web, i’m sure, but i just never quite sit comfortably when they are playing. necessarily then, in case you wondered, i’ve overlooked them. but it ain’t like i was short on choice…

 

 

read the rest of albums of the year (…)

interview ~ argy


here comes the dj mag feature i did on argy based around his latest long player, fundamentals, on jerome sydenham’s ibadan records.

read the rest of interview ~ argy (…)

compilations of the year ~ 2011

i included compilations in my top 20 albums list last year. that was lazy. given that it’s been a vintage year for the (ever dying, apparently) things, i thought i’d do a separate list this year. first couple are firm favourites and after that it’s pretty hard to decide.

read the rest of compilations of the year (…)

interview ~ taimur agha


if you’ve been to new york to party, there’s a good chance taimur agha had some role to play in it. aside from being an esteemed dj in his own right, agha is also responsible for the brilliant blk|market mermbership parties held in the city, as well as bi-monthly radio show, the bandwagon and is also the house techno music buyer at halcyon record shop. it’s almost as if he’s single-handedly on a mission to bring good music and great parties the city we, in the rest of the world, so often hear is lacking in that department.

read the rest of interview ~ taimur agha (…)

heart the art volume 2

i did a first volume of this a while ago and it seemed to go down quite well. as such and since then i’ve been making a note of some favourite record sleeves with a view to doing it again. i kind of figured the words last time were pointless, so instead i’ve wasted an afternoon making a collage and will include only a few notes. i’ve enjoyed all these albums and eps in recent months (bar hamburg elektronish vol. 01 which i haven’t yet listened to but still love the pop-up cover) for different reasons. similarly, the art which adorns the music has gotten me in different ways…

read the rest of heart the art volume (…)

zomby ~ nothing on 4ad


on nothing, the mysterious zomby touches on some of the same occult digital eeriness that characterised his excellent recent full length dedication. interspersing those brittle, haunting garage sounds here, though, are some straight up breakbeats from a dusty old rave vault which all in all make for a seven track ep almost as compelling as the aforementioned full length itself.

read the rest of zomby ~ nothing on (…)

interview ~ sei a

glaswegian sei-a (pronounced “say a”, obviously) is an interesting one. he’s not someone who has ever been fully chewed up by the hype machine despite already having two solid lps to his name on french outlet missive music and tiga’s thriving turbo.

read the rest of interview ~ sei a (…)

teshcast n ~ life’s track


after hearing their excellent eps on italian label bosconi, i was instantly enamoured by italian duo life’s track. as i said in my review of that ep for ra, they are like an italian skudge… a pair of mysterious analogue freaks making proper house music. it’s house music with depth and real narrative.. listen to any of their tracks (a couple of which are included on teshcast n) and you’ll instantly be transported to a place somewhere else. retro-tinged but future-facing, it’s some of the nicest, purest house i’ve heard in ages.

read the rest of teshcast n ~ life’s (…)

gerry read ~ all by myself/what a mess on fourth wave


completing a hat-trick of hurried sounding house eps on fourth wave, gerry read confirms what you suspected from his first two releases on the label: the man got skills.

read the rest of gerry read ~ all (…)